# The artist's touch

This work belongs to the second phase of the artist's portraiture, from 1720-1740, which we recognize by the painter's smooth, fine touch, the meticulous detail of the background and costume, and the use of vivid colors. To achieve this smooth look, the artist used several layers of transparent varnish on the fabrics. The extreme care taken with the drapery gives it a new, shimmering look, underlined by the meticulous choice of colors.

The painter studied the fabrics to get as close as possible to reality in terms of texture and movement, which was made possible by the mastery of lighting. The fabrics are not satin-brushed, but enhanced with a wispy sheen in the folds of the garments. The choice of a tight frame, however, directs the eye to the model's face and hands.